Our Stack

Film

Full-scale brand filmmaking, from documentary intimacy to blockbuster spectacle. We write, direct and finish films that treat every brief as cinema, because audiences forgive nothing less. It works because craft compounds: the same obsession that grades a single frame builds brand worlds people remember, quote and keep returning to.

Motion

Where products become protagonists. Motion House handles 3D, CGI and motion design, material studies, kinetic type, physics that behaves like theatre, rendered to a finish that survives any screen. It works because desire is built frame by frame: when the surface looks this considered, the product feels worth wanting.

Design

Identity, visual systems and the discipline that holds them together. We design the world a brand lives in, palette, typography, materials, motion logic, so every touchpoint is recognisable before the logo appears. It works because consistency is what turns campaigns into equity: one grammar, owned completely, compounding with every release.

AI

Our research arm, where generative pipelines meet filmmaking instincts. We build, test and break the newest models so client work ships with tomorrow's tools and today's taste. It works because the technology alone is a commodity; judgement is not, and Labs exists to keep ours permanently ahead of the curve.


Our Team

Nipun Sood

Right Brain

Nipun was asked to provide a writeup of his decade long advertising career and he just sent 15 words in this order: Draper. Tempo. Appetite. Action. Accident. Ritual. Cut. Stillness. Doubt. Graded? Pixels. Dust. Frame. Craft. Fin.

Let us know if you solve the riddle.

Mahima Bachhawat

Left Brain

Mahima runs the part of the studio that turns "imagine if" into a shoot date and a delivery link. Producer by trade, strategist by reflex, she has built content operations from a blank spreadsheet into machines that ship beautiful work on brutal deadlines. Creatives promise the moon; Mahima owns the launch calendar. If the work looks effortless, that's her doing. Effort is her department, and you're not supposed to see it.